So it happened. I was in class, standing near the back corner, practicing an attitude pirouette en dedans to the left (counter-clockwise turn with right leg bent behind, for non-balletic readers) when something went wrong. I can’t recall whether there was too much momentum, or my foot was turning faster than my torso, or my torso was spinning faster than my foot could keep up with in a turned out position. Either way, I stumbled. My left ankle twisted and I landed on the outside of a little sickled foot.
Sharp pain, shock, then numbness. It lasted all of two seconds. I was still upright. I don’t think anyone even noticed, as we were all marking the final combination without music. Or they probably thought it was a harmless misstep. The teacher’s reminders blurred into a murmur as I tested the ankle. Yes, I could put some weight on it. Yes, the lateral side was sore. No, I could not do a full rise so I shouldn’t even attempt a turn.
By then, the music had started and it was too late to excuse myself or ask to sit this one out. So I ended up performing the waltz turn combination in a group, focusing on expression in my arms, substituting an attitude balance on flat for an attitude turn. At the end, I even got praised for my musicality. I tried to smile without grimacing. And pretended to stretch on the floor after class, putting my cold, stainless steel water bottle against the now-swollen ankle while waiting for most people to leave first. I should have said something. I don’t know why I didn’t — too ashamed, not wanting to draw attention, not wanting to ruin the rhythm of what, until then, had been an enjoyable class full of brain-teasing patterns and dance-y combinations.